(also note how the cymbals are so close together and layered ontop of each other. and volume can be a major concern in tight quarters where other musician's ears are within INCHES of my crash cymbals! The more I can do to compact my drum setup, and control the volume, the better, for everyone involved. Therefore I choose smaller crash cymbals not only because they take up less space, but they also aren't as loud. Often times, Pal Joey included, the orchestra pit is SMALL and I have limited amount of space available. both for sonic reasons and for SPACE reasons. I often get asked questions such as, "Why do you use such small crash cymbals?" Simple. There is a specific reason for EVERYTHING that I have chosen to play in the pit. LP Mount All Brackets are INDISPENSABLE in the pit! They allow me to get many different types of percussion mounted all around my kit, in the smallest and most convenient places. Take note of the creative use of multi-clamps throughout the setup. But, when I'll be out of the show a lot, I put the coated Ambassadors back on, simply because they are more durable, and are easier for all of my different drum subs to come in and get a consistent tone, which is important for the sound department. They are very reminiscent of skin heads of the era, yet with modern day projection, durability and consistency. Also, at times when I know that I will be in playing the show a lot, I will use Remo Suede Ambassadors on the tom batters, simply because I love the mellow tone that they produce. For instance, when it's really humid in the theatre and the sound isn't moving through the air very well, I will sometimes use a Yamaha Aluminum or Steel snare for a bit of extra projection. I will sometimes make slight adjustments based on a variety of issues.
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